畢業(yè)論文-論《紅樓夢》中襲人形象 - 語言文學(xué)論文
摘 要
《紅樓夢》中的襲人形象，在歷代紅學(xué)研究中是極具爭議的。兩個世紀(jì)來，程本風(fēng)行天下，脂本絕跡，讀者心目中的花襲人，都是程本中的花襲人。所以要實事求是評襲人，首先須分清：兩種不同的版本有兩個不同的花襲人，就脂論脂，就程論程，不可混淆，不可取代。其次，須從襲人所處的時代背景，所處的社會地位，以及襲人的性格特點3方面來客觀、全面的評價襲人。襲人形象的展現(xiàn)，在《紅樓夢》全書中是通過人物關(guān)系網(wǎng)來實現(xiàn)的，其中寶玉、晴雯、寶釵是與其關(guān)系較為密切的，本文將從襲人與這3者的關(guān)系，具體的、全面的來分析襲人這1人物形象。
關(guān)鍵詞：紅樓夢；襲人形象
ABSTRACT
The image of Xiren in HongLouMeng has always being disputed in previous dynasties’ studies of Red. In recent two centuries, edition Cheng is in popular all over the world while edition Zhi has been out of print, and the character Hua xiren in all readers’ mind is from Cheng benzhong’s edition. Therefore, in order to comment a person in fair and realistic, it should be distinguished clearly at first: since two kinds of different editions would creat two images of Xiren in difference, we should comment separately from Cheng and Zhi without confusion nor substitute. Secondly, Xiren should be commented impersonally and comprehensively from social background, the social status of Xiren and characteristics of Xiren herself. The realization of image Xiren’s embodiment in HongLouMeng through the net work of characters’ relationship, in which Baoyu, Qingwen, and Baochai are the three on much intimate terms with Xiren. This paper would like to make a concrete and comprehensive analysis on the image of Xiren from the relationship between Xiren and the three.
Key words: HongLouMeng; image of Xiren