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1965Сԇ˹ ţӢZ(y)ԏጹ

r(sh)g2024-07-02 08:19:09 Yϴȫ ҪͶ
  • P(gun)]

1965Сԇ˹ ţӢZ(y)ԏጹ

LӢ(du)գ
INTERVIEWER: Now Bruce, just look right into the camera lens right here and tell us your name, your age and when you were born.
С@R^V҂gͳ

1965Сԇ˹ ţӢZ(y)ԏጹ


BRUCE LEE: My last name is Lee, Bruce Lee. I was born in San Francisco. 1940. I’m 24 right now.
С1940fɽ24q
INTERVIEWER: And you worked in the motion pictures in Hong Kong?
ۏӰИI(y)
BRUCE LEE: Yes, since I was around six years old.
](mi)e(cu)6qҾ_(ki)ʼ
INTERVIEWER: And when did you leave Hong Kong?
ʲôr(sh)x_(ki)۵
BRUCE LEE: 1959. When I was eighteen.
195918qr(sh)
INTERVIEWER: I see. Now look over to me, Bruce, as we talk. I understand you just had a baby boy?
õ (li)ՄԒr(sh)Ո(qng)֪㄂ϲF
BRUCE LEE: Yeah.
Dž
INTERVIEWER: And you’ve lost a little sleep over it, have you?
һʧ˰
BRUCE LEE: Oh, three nights.
~ʧ(g)
INTERVIEWER: And tell the crew what time they shoot the pictures in Hong Kong.
f(shu)f(shu)ゃǎc(din)Ӱ
BRUCE LEE: Well it’s mostly in the morning because it’s kind of noisy in Hong Kong, you know? Around three million people there, and so every time when they have a picture it’s mostly, say, around 12: 00 a.m. to 5: 00 a.m. in the morning.
賿֪300f(wn)˿ԕ(hu)Щ[ÿҪӰڰҹ12c(din)賿5c(din)Ĕzġ
INTERVIEWER: I see. You love that, do you?
ˣϲg@Ӳô
BRUCE LEE: (smiles)
ЦZ(y)
INTERVIEWER: And you went to College in the United States?
(gu)W(xu)
BRUCE LEE: Yes.
ǵ
INTERVIEWER: And what did you study?
W(xu)ʲô
BRUCE LEE: Ah, philosophy.
܌W(xu)
INTERVIEWER: I see. Now you told me earlier today, that karate and ju-jitsu are not the most powerful or the best forms of Oriental fighting. What is the most powerful or the best form? õġЩr(sh)f(shu)ֵg(sh)ǖ|(qing)ôʲô(qing)Ļf(shu)õ
BRUCE LEE: Well, it’s bad to say "the best" but, in my opinion, I think Gung Fu is pretty good.
Ǻf(shu)“”̫ãҿ(li)dz
INTERVIEWER: And would you tell us a little bit about Gung Fu?
ܸܲ҂f(shu)f(shu)
BRUCE LEE: Well, Gung Fu is originated in China. It is the ancestor of karate and ju-jitsu. It’s more of a complete system and it’s more fluid. By that I mean, it’s more flowing; there’s continuity in movement instead of one movement, two movement and then stop.
](mi)(wn)}

YϹƽ_(ti)

1965Сԇ˹ ţӢZ(y)ԏጹ(http://www.stanzs.com)ԴЇ(gu)ǿֵg(sh)иwϵ(dng)ָĄ(dng)gB؞(dng)һ(g)(dng)һ(g)(dng)Ȼͣ
INTERVIEWER: Would you look right into the camera lens and explain the principle of the glass of water as it applies to Gung Fu?
ܿR^o҂һŒһˮԭ\(yn)õϵĺx
BRUCE LEE: Well, Gung Fu -- the best example would be a glass of water. Why? Because water is the softest substance in the world, but yet it can penetrate the hardest rock or anything -- granite, you name it. Water also is insubstantial; by that I mean you cannot grasp hold of it, you cannot punch it and hurt it. So every Gung Fu man is trying to do that; to be soft like water, and flexible and adapt itself to the opponent.
õf(shu)𹦷õıһˮʲô?yn)ˮܛ|(zh)sԴ͸(jin)ӲĎrʯf(shu)rʯˮҲǛ](mi)Ќ(sh)wģ@f(shu)ָo(w)ץסˮo(w)f(shu)ÿһ(g)˶Ŭ@һc(din)ˮһܛ`ܸ׃Լ(li)m(yng)(du)֡
INTERVIEWER: I see. What’s the difference between a Gung Fu punch and a karate punch?
Ҷôē(dng)Ϳֵē(dng)ʲô^(q)e
BRUCE LEE: Well, a karate punch is like an iron bar -- whack! A Gung Fu punch is like an iron chain with an iron ball attached to the end and it goes Wang! And it hurts inside.
ֵһKFlȥwhackһ•t˩FF朣Wangһ•͂(du)w(ni)
INTERVIEWER: Okay. In a moment we’re going to cut and in just a second we’ll have you stand up and show us some Gung Fu and some movements in Gung Fu.
OK҂Rϕ(hu)M(jn)мһ(hu)Ո(qng)չʾһЩ(dng)
BRUCE LEE: Okay.
OK
The interview was conducted during Bruce Lee’s screentest for "Number One Son," a television series that was never made. Instead, Lee would be cast as "Kato" in The Green Hornet television series. However, this interview provides a unique keyhole through which to view Bruce Lee’s views on his life, art and career up to this time in his life. In two years time he would forsake much of the gung fu methodology he herein embraced, and would create the art of Jeet Kune Do and, ultimately, its application as the "way of no-way."
@ԇСҪҕ"Number One Son"r(sh)ԇR˄(li)δM(jn)ĔzСD(zhun)ҕ"The Green Hornet"bеKatoһȻ@βLs҂ṩһ(g)(d)صҕȥQ̽(dng)r(sh)С(du)ˇg(sh)˜I(y)Ŀڴ˺ă Sஔ(dng)r(sh)ѴĹ򷽷Փ(chung)ȫµĽȭˇg(sh)Kó“ԟo(w)з”(using no way as way)W(xu)˼

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